Client details
Anne V. Coates A.C.E
Editor
Agent
| Lynda Mamy |
About
| AWARDS: OUT OF SIGHT - Nominated, Oscar Best Film Editing. Nominated, Eddie for Best Edited Feature Film IN THE LINE OF FIRE - Nominated for an Oscar, Eddie and BAFTA for Best Editing. THE ELEPHANT MAN - Nominated, Oscar for Best Film Editing and Nominated for BAFTA Film Award BECKET - Nominated, Oscar for Best Film Editing, Nominated, Eddie for Best Edited Feature Film LAWRENCE OF ARABIA - Oscar for Lawrence of Arabia, Nominated Eddie for Best Edited Feature Film ERIN BROCKOVICH - Nominated, BAFTA for Best Film Editing MURDER ON THE ORIENT EXPRESS - Nominated, BAFTA 1995 Won the Eddie Career Achievement Award 1997 Won the Film Crytal International Award 2007 Received a BAFTA Academy Fellowship |
Film
| Production | Company | Notes |
|---|---|---|
| EXTRAORDINARY MEASURES (2010) | CBS Films | Dir: Tom Vaughan Prods: Carla Santos Shamberg Michael Shamberg Stacey Sher |
| THE GOLDEN COMPASS (2007) | New Line Cinema | Dir: Chris Weitz Prods: Bill Carraro Deborah Forte |
| CATCH AND RELEASE (2006) | Columbia Pictures | Dir: Susannah Grant Prod: Jenno Topping |
| TAKING LIVES (2004) | Warner Bros | Dir: D. J. Caruso Prods: Mark Canton Bernie Goldmann |
| UNFAITHFUL (2002) | 20th Century Fox | Dir: Adrian Lyne Prods: G. Mac Brown |
| SWEET NOVEMBER (2001) | Warner Bros. Pictures | Dir: Pat O’Connor Prods: Elliot Kastner Steven Reuther Deborah Aal Erwin Stoff |
| PASSION OF MIND (2000) | Lakeshore Entertainment | Dir: Alain Berliner Prod: Tom Rosenberg Carole Scotta |
| ERIN BROCKOVICH (2000) | Jersey Films/ Columbia TriStar Films | Dir: Steven Soderbergh Prods: Danny DeVito Michael Shamberg Stacey Sher |
| OUT OF SIGHT (1998) | Jersey Films/ Universal Pictures | Dir: Steven Soderbergh Prods: Danny DeVito Michael Shamberg Stacey Sher |
| OUT TO SEA (1997) | 20th Century Fox | Dir: Martha Coolidge Prod: David T. Friendly |
| STRIPTEASE (1996) | Castle Rock Entertainment/ Columbia Pictures | Dir: Andrew Bergman Prod: Mike Lobell |
| CONGO (1995) | Kennedy Marshal Company/ Paramount Pictures | Dir: Frank Marshall Prod: Kathleen Kennedy Sam Mercer |
| PONTIAC MOON (1994) | Paramount Pictures | Dir: Peter Medak Prods: Robert Schaffel Youssef Vahabzadeh |
| IN THE LINE OF FIRE (1993) | Columbia Pictures | Dir: Wolfgang Peterson Prod: Jeff Apple |
| CHAPLIN (1992) | Carolco Pictures/ Tristar Pictures | Dir: Richard Attenburgh Prod: Mario Kassar |
| WHAT ABOUT BOB? (1991) | Touchstone Pictures | Dir: Frank Oz Prod: Laura Ziskin |
| I LOVE YOU TO DEATH (1990) | TriStar Pictures | Dir: Lawrence Kasdan Prods: Jeffrey Lurie Ron Moler |
| LISTEN TO ME (1989) | Weintraub Entertainment Group/ Columbia Pictures | Dir: Douglas Day Stewart Prod: Dolly Gordon |
| FAREWELL TO THE KING (1989) | Ruddy Morgan Productions/ Orion Productions | Dir: John Milius Prod:Andre Morgan |
| MASTERS OF THE UNIVERSE (1987) | Golan- Globus Productions | Dir: Gary Goddard Prod: Yoram Globus |
| RAW DEAL (1986) | De Laurentis Entertainment Group | Dir: John Irvin Prod: Martha Schumacher |
| LADY JANE (1986) | Paramount Pictures | Dir: Trevor Nunn Prod: Peter Snell |
| GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (1984) | Edgar Rice Burroughs Inc/ Warner Bros Pictures | Dir: Hugh Hudson Prod: Stanley S. Canter |
| THE PIRATES OF PENZANCE (1983) | Universal Pictures | Dir: Wilford Leach Prod: Joseph Papp |
| THE BUSHIDO BLADE AS EDITORIAL SUPERVISOR | Rankin/ Bass Productions | Dir: Tom Kotani Prod:Arthur Rankin Jr |
| RAGTIME (1981) | Dino De Laurentiis Company/ Paramount Pictures | Dir: Milos Forman Prod: Dino De Laurentiis |
| THE ELEPHANT MAN (1980) | Brooksfilms/ Paramount Pictures | Dir: David Lynch Prod: John Sanger |
| THE LEGACY (1978) | David Foster Productions/ Universal Pictures | Dir: Richard Marquand Prod: David Foster |
| THE MEDUSA TOUCH (1978) | Coatesgold | Dir: Jack Gold Prod: Anne V.Coates |
| THE EAGLE HAS LANDED (1976) | Associated General Films/ Columbia Pictures | Dir: John Sturges Prods: David Niven Jr Jack Wiener |
| ACES HIGH (1976) | Cine Artists Pictures | Dir: Jack Gold Prod: S. Benjamin Fisz |
| MAN FRIDAY (1975) | ABC Entertainment | Dir: Jack Gold Prod: Gerald Green |
| MURDER ON THE ORIENT EXPRESS (1974) | G.W. Films/ ParamountPictures | Dir: Sidney Lumet Prods: John Brabourne Richard Goodwin |
| 11 HARROWHOUSE (1974) | Elliot Kastner Productions | Dir: Aram Avakian Prod: Elliot Kastner |
| THE NELSON AFFAIR (1973) | Hal Wallis Productions/ Universal Pictures | Dir: James Cellan Jones Prod: Hal B. Wallis |
| THE PUBLIC EYE (1972) | Universal Pictures | Dir: Carol Reed Prod: Hal B. Wallis |
| FRIENDS (1971) | Lewis Gilbert Productions/ Paramount Pictures | Dir: Lewis Gilbert Prod: Lewis Gilbert |
| THE ADVENTURERS (1970) | AVCO Embassy Pictures | Dir: Lewis Gilbert Prod: LewisGilbert |
| GREAT CATHERINE (1968) | Keep Films | Dir: Gordon Flemyng Prod: Jules Buck |
| HOTEL PARADISO (1966) | Metro- Goldwyn-Mayer | Dir: Peter Glenville Prods: Peter Glenville Pierre Jourdan |
| HOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES OR HOW I FLEW FROM LONDON TO PARIS IN 25 HOURS AND 11 MINUTES (1965) | Twentieth Century Fox | Dir: Ken Annakin Prod: Stan Marguiles |
| YOUNG CASSIDY (1965) | Metro-Goldwyn-Mayer | Dir: Jack Cardiff Prods: Robert Emmett Ginna Robert D. Graff |
| BECKET (1964) | Paramount Film Service | Dir: Peter Glenville Prod: Hal Wallis |
| LAWRENCE OF ARABIA (1962) | Horizon Pictures/ Columbia Pictures | Dir: David Lean Prods: Robert A. Harris Sam Spiegel |
| WHY BOTHER TO KNOCK (1961) | Haileywood Productions | Dir: Cyril Frankel Prods: Frank Godwin |
| TUNES OF GLORY (1960) | Knightsbridge Films | Dir: Ronald Neame Prod: Colin Lesslie |
| THE HORSE'S MOUTH (1958) | Knightsbridge Films | Dir: Ronald Neame Prod: John Bryan |
| THE TRUTH ABOUT WOMEN (1957) | Beaconsfield Productions | Dir: Muriel Box Prods: Sydney Box Herbert Smith |
| TEARS FOR SIMON (1956) | Sydney Box Associates Ltd | Dir: Guy Green Prod: Vivian A. Cox |
| TO PARIS WITH LOVE (1955) | Two Cities Films | Dir: Robert Hamer Prod: Edwin Astley Antony Darnborough |
| FORBIDDEN CARGO (1954) | London Independent Producers | Dir: Harold French Prod: Sydney Box |
| WICKED WIFE (1953) | Talisman-George Minter | Dir: Bob McNaught Prod: Phil C. Samuel |
| THE PICKWICK PAPERS (1952) | George Minter Productions | Dir: Noel Langley Prod: George Minter |
| THE STORY OF ROBIN HOOD AS ASSEMBLY CUTTER, UNCREDITED (1950) | Walt Disney Productions | Dir: Ken Annakin Prod: Perce Pearce |
| THE ROCKING HORSE WINNER AS ASSISTANT EDITOR, UNCREDITED (1949) | Rank Organisation/ Universal Pictures | Dir: Anthony Pelissier Prod:John Mills |
| THE AMAZING MR BEECHAM AS ASSISTANT EDITOR, UNCREDITED (1949) | George H. Brown Productions | Dir: John Paddy Carstairs Prod: George H. Brown |
| THE HISTORY OF MR POLLY AS ASSISTANT EDITOR, UNCREDITED (1949) | Two Cities Films | Dir: John Paddy Carstairs Prod: George H. Brown |
| THE RED SHOES AS ASSISTANT EDITOR (1948) | Archers, The | Dir: Michael Powell Prod:Michael Powell |
| THE END OF THE RIVER AS ASSISTANT EDITOR (1947) | Archers, The | Dir:Derek N. Twist Prod: Michael Powell |
Television
| Production | Company | Notes |
|---|---|---|
| FAIL SAFE WITH WALTER CRONKITE, RICHARD DREYFUSS (2000) | Warner Bros Television | Dir: Stephen Frears Prod: Tom Park |
| CATHOLICS (1973) | Sidney Glazier Productions | Dir: Jack Gold Prods:Sidney Glazier Barry Levinson |
| MONGANGO (1957) | As Editor |
