Client details
Helen Goddard
Designer
| Giles Smart |
Helen was one of the four winners of the 2007 Linbury Biennial Prize for Stage Design and designed Kwame Kwei-Armah's new play, LET THERE BE LOVE, at the Tricycle Theatre in January 2008. Helen graduated from Rose Bruford College with First Class Honours in Directing in 2002, and went on to do a Postgraduate Diploma in Theatre design at the Bristol old Vic Theatre Scool in 2005/06. |
| Production | Company | Notes |
|---|---|---|
| AND A NIGHTINGALE SANG (2010) | New Vic Theatre, Stoke-on-Trent | by C P Taylor; directed by Sarah Punshon |
| JAMES AND THE GIANT PEACH (2009) | Watermill Theatre, Newbury | Adapted by David Wood (from Roald Dahl's book); directed by Anna Linstrum |
| PUBLIC PROPERTY (2009) | Trafalgar Studios - Studio 2 | by Sam Peter Jackson; directed by Hannah Berrigan |
| THE SPANISH TRAGEDY (2009) | Arcola Theatre | by Thomas Kyd; directed by Mitchell Moreno |
| THE ONES THAT FLUTTER (2009) | Theatre 503 | by Sylvia Reed; directed by Abbey Wright |
| LOOKING FOR BUDDY (2009) | Octagon Theatre, Bolton / Live Theatre, Newcastle | by Alan Plater; directed by Mark Babych |
| FUTURE ME (2009) | Lifeblood Theatre UK Tour | by Stephen Brown; directed by Guy Retallack |
| THE LIFESAVERS (2009) | Theatre 503 / Mercury Theatre, Colchester | by Fraser Grace; directed by Paul Robinson |
| DANNY THE CHAMPION OF THE WORLD (2008) | Octagon Theatre, Bolton | Directed by Mark Babych |
| THE SIREN'S CALL (2008) | Watermill Theatre, Newbury | Written and directed by Ade Morris |
| AM I NOT A MAN AND A BROTHER? (2008) | Hackney Empire Studio & Tour / Liverpool Everyman & Tour | Directed by Rob Marsden |
| KNIVES IN HENS (2008) | Theatre Royal Bath - Ustinov Studio | by David Harrower; directed by Charlotte Gwinner |
| WELL (2008-09) | Trafalgar Studios - Studio 2 / Apollo Theatre, West End | by Lisa Kron; directed by Eve Leigh |
| MICKEY SALBERG'S CRYSTAL BALLROOM DANCE BAND (2008) | Watermill Theatre, Newbury & Tour | by Ade Morris; directed by Guy Retallack |
| LET THERE BE LOVE (2008) | Tricycle Theatre | Written and directed by Kwame Kwei-Armah; Linbury Prize Commission |
| MIRA MIRA (2007) | Watermill Theatre, Newbury | Written and directed by Ade Morris |
| THE MASQUE OF THE RED DEATH (2007) | Battersea Arts Centre / National Theatre | Devised and directed by Punchdrunk; as one of the collaborative design team |
| LOVELY AND MISFIT (TENNESSEE WILLIAM TRIPLE BILL) | Trafalgar Studios - Studio 2 | Directed by Anna Ledwich |
| GBS (2006) | Theatre 503 | by Jason Hall; directed by Anna Ledwich |
| MAD FOREST (2006) | Drum Theatre, Plymouth / Theatre Royal Plymouth | by Caryl Churchill; directed by Oliver Jones |
| UNDER MILK WOOD (2006) | Bristol Old Vic Studio | by Dylan Thomas; directed by Sue Wilson |
| THE ROARING GIRL (2006) | Shakespeare's Globe | Extract performed: Act II, Scene III; directed by John Hartoch |
| THE ROARING GIRL (2005) | Bristol Old Vic Studio | by Thomas Middleton; directed by John Hartoch |
| Production | Company | Notes |
|---|---|---|
| THE LITTLE MERMAID USA (2007) | as Storyboard Artist; Projection Designer: Sven Ortel | |
| REBECCA (2006) | Raimund Opera House, Vienna | as Storyboard Artist; Projection Designer: Sven Ortel |
| THE TABLE SHOW (2001) | Ridiculusmus / Kazuko Hohki / Battersea Arts Centre / Edinburgh Festival | as Assistant Desinger; directed by David Jubb |
| STICKY (2000) | Improbable Theatre / Brighton Festival | as Sculptor and Assistant; designed by Julian Crouch |
