• Stephen Warbeck composes for THE TEMPEST at the Globe
  • Read Felicity Cloake's mouth-watering PERFECT HOST, out now
  • READ Berwick Coates' THE LAST CONQUEST out now in hardback
  • Gregory Clarke designs sound for Headlong's tour of THE SEAGULL
  • Gregory Clarke designs sound for Told By An Idiot's MY PERFECT MIND
  • Catch EDWARD KILLINGBACK in The Low Road at The Royal Court
  • READ James Forrester's THE FINAL SACRAMENT out now in paperback
  • Pia Furtado directs SAY IT WITH FLOWERS at Sherman Cymru
  • Read David Szalay in Granta's Best of Young British Novelists, out now
  • READ Robert Low's THE LION RAMPANT out in hardback now
  • Nicholas Hytner directs UNTOLD STORIES at The Duchess Theatre
  • Gregory Clarke designs sound for TRAVELS WITH MY AUNT at the Menier
  • Carrie Cracknell directs Berg's WOZZECK at ENO
  • Jon Rance's THIS THIRTYSOMETHING LIFE is in bookshops now
  • Blanche McIntyre directs Headlong's touring production of THE SEAGULL
  • George Dennis designs sound for BEAUTIFUL THING at the Arts Theatre
  • See Alan Bennett's UNTOLD STORIES at The Duchess Theatre
  • Read Mark Peterson's A PLACE OF BLOOD AND BONE - out now in hardback
  • Howard Davies directs CHILDREN OF THE SUN at the National Theatre
  • Loveday Ingram directs THESE SHINING LIVES at Park Theatre, London
  • Michael Fentiman directs TITUS ANDRONICUS for the RSC in Stratford
  • Olly Fox composes music for Northern Stage's BLUE REMEMBERED HILLS

News article

Vote for Kayode! BELONG opens at the Royal Court

Vote for Kayode!  BELONG opens at the Royal Court

Bola Agbaje’s newest play, BELONG, has opened at the Royal Court, in a production directed by Indhu Rubasingham, designed by Ben Stones, with a cast including Ashley Zhangazha.

Following on from Bola’s previous hits at the Court, GONE TOO FAR! and OFF THE ENDZ, this play charts a disgraced politician’s attempts to rediscover his identity by returning to his roots, but finding that such answers are by no means easy to come by.

A funny, honest and bitingly dark play by Bola Agbaje. Her last one (Gone Too Far) transferred downstairs and sold out. So should this.  Not a dull moment or an unintelligent line: and coming of a Nigerian family, Agbaje can drill into psychological, moral and political dilemmas which make many white ones seem positively bloodless, in every sense.
The Times ****

This talented young writer belongs firmly in the vanguard of contemporary British theatre.
Time Out ****

There’s a bright, hard edge to the short, sharp scenes, which cover a lot of ground in 90 minutes.

A clever design by Ben Stones.

Whatsonstage

A provocative, lively piece that got a rousing reception at the Theatre Upstairs.
Guardian

Agabje’s writing is funny and pointed, asking questions about corruption and identity... tense and engaging.
Evening Standard

The intensity of the final scenes is considerable.
The Stage

The play performs at in the Jerwood Theatre Upstairs until 26th May before relocating to the Bussey Building in Peckham from 31st May to 23rd June as part of the Court’s Theatre Local programme, tickets for both of which can be bought here.

The playtext is published by Methuen and can be purchased from Amazon.

Site by Zone