Client details

Other theatre credits include:

THE GOOD SOLIDER (Theatre Royal Bath, directed by Matthew Lloyd, 2010); THE TALENTED MR RIPLEY (Northampton Royal & Derngate, directed by Raz Shaw, 2010); PETER PAN (Northern Stage, directed by Erica Whyman, 2009); MISS JULIE (Rose Theatre, Kingston, directed Stephen Unwin, 2009); HANG ON (Lyric Hammersmith, directed by Sue Buckmaster, 2009); A CHRISTMAS CAROL (Newcastle Playhouse, directed by Erica Whyman, 2007); THE CHANGELING (Nottingham Playhouse / ETT, directed by Stephen Unwin, 2007); SHADOWLANDS (Salisbury Playhouse, directed by Joanna Reed, 2007); THE CHERRY ORCHARD (Southwark Playhouse, directed by Kate Wild, 2006); THE IMPORTANCE OF BEING EARNEST (Oxford Playhouse, directed by Erica Whyman); TO KILL A MOCKINGBIRD (Salisbury Playhouse, directed by Joanna Reed); ROSENCRANTZ & GUILDENSTERN ARE DEAD (ETT, directed by Stephen Unwin); HOSPITAL WORKS (Theatre Rites / Theatre der Welt, directed by Sue Buckmaster); TWELFTH NIGHT (ETT, directed by Stephen Unwin); ROMEO & JULIET (ETT, directed by Stephen Unwin); NEWS FROM THE 7TH FLOOR (Wilson & Wilson / Watford Palace Theatre, directed by Wils Wilson); EAT EAT (Quarantine / Leicester Haymarket, directed by Renny O'Shea); LOCKERBIE 103 (The Ashton Group, directed by Rachel Ashton); THE CARETAKER (ETT, directed by Gari Ashton); MACBETH (Salisbury Playhouse, directed by Joanna Reed); THE GOOD PERSON OF SETZUAN (National Theatre - Cottesloe Theatre & Mobil Tour, directed by Stephen Powell); ELIZA'S HOUSE (Manchester Royal Exchange, directed by Wils Wilson); SEE SAW (Quarantine / Tramway Theatre, Glasgow, directed by Richard Gregory); EQUUS (Salisbury Playhouse; directed by Joanna Reed); THE DUCHESS OF MALFI (Salisbury Playhouse; directed by Joanna Reed); BUT THE LIVING ARE WRONG (Northern Stage, directed by Richard Gregory); THE WINTER'S TALE (Salisbury Playhouse; directed by Joanna Reed); BIG BABY (Oxford Touring Theatre Company, directed by Brendan Murray); A BEAR CALLED PADDINGTON (Polka Theatre, directed by Mark Storor); COLD (The Ashton Group, directed by Rachel Ashton); OLD KING COLE (Unicorn Theatre, directed by Rebecca Gatward); STUART LITTLE (Polka Theatre, directed by Annie Wood); DEAREST DADDY, DARLING DAUGHTER (Young Vic Studio, directed by Gari Jones); HANSEL & GRETEL (Unicorn Theatre, directed by Tony Graham); MOTHER COURAGE (Contact Theatre, Manchester, directed by Ben Twist); THE TAMING OF THE SHREW (ETT, directed by Stephen Unwin); BITCHING, BOOZING & FAGS (Battersea Arts Centre / Toby Jones, directed by Edward Kemp); JAMES & THE GIANT PEACH (Polka Theatre, directed by Roman Stefanski); CINDERELLA (Unicorn Theatre, directed by Tony Graham); THE WASP FACTORY (Northern Stage, directed by Richard Gregory); A MIDSUMMER NIGHT'S DREAM (Contact Theatre, Manchester, directed by Ben Twist); LAND (Eritrean Theatre Project, directed by Olly Fox); GULLIVER'S TRAVELS (Walk The Plank, directed by Andy Farrell); THE MILL ON THE FLOSS (Contact Theatre, Manchester, directed by Nadia Molinari); THE BIG SPLASH (Walk The Plank, directed by Andy Farrell).

Workshops / Educations Workshops:

Rose Bruford College; Naitonal Thatre; ENO Baylis Programme; Glyndebourne; Royal Opera House; Welsh National Opera; Royal Festival Hall; Eritrea Community Theatre Project; Asmara; National Youth Music Theatre; National Association of Youth Theatres; NACRO; Lively Arts; Royal College of Music; Arts & Business; Trade Secrets; Contact Theatre.

Clarinet / sax / piano / singer with The Railtown Bottlers, 'International Street Entertainers of the Year, 1991'.  TV & Radio credits include: DANNY BAKER AFTER ALL (BBC, house band); MOTHER'S RUIN (titles / incidental music) an numerous other guest appearances.

Education / Training:

PGDip / MA Music Design for Film & TV, Bournemouth University (1995-96)

BA (Hons) Drama, Manchester University (1985-88)