George Dennis
Sound Designer
Photograph: Manuel Harlan
Heads of Department
Heads of Department
George studied at Manchester University. He received an Olivier Award nomination for Best Sound Design in 2016 for The Homecoming and, with Ben and Max Ringham, won the 2018 Off-West End Award for Best Sound Design for Killer.
Soon into the trial, Connie reports an increased level of hearing, a feeling George Dennis’s sound design and Michael Asante’s composition accentuate; the audio feels closer, almost tangible.
The Guardian on The Effect (National Theatre)
George Dennis’s sound design is perfect
Time Out on The Effect
The exemplary sound design is by George Dennis
New York Times on The Southbury Child (Bridge Theatre)
George Dennis' superb soundscape – screeching '70s guitars and the echo of landed blows
What's On Stage on Frost/Nixon (Sheffield Crucible)
In Development
Production | Company | Notes |
---|---|---|
2024 | Royal Shakespeare Company (Royal Shakespeare Theatre) | Sound Design |
2025 | National Theatre (Lyttelton) | Sound Design |
2025 | Donmar Warehouse | Sound Design |
Theatre
Production | Company | Notes |
---|---|---|
2024 | Almeida Theatre | Sound Design |
2024 | Menier Chocolate Factory | Sound Design |
2024 | Royal Shakespeare Company (The Other Place)/Kiln Theatre | Sound Design |
2024 | Royal Shakespeare Company (Royal Shakespeare Theatre) | Sound Design |
2024 | Royal Exchange Theatre | Sound Design |
2024 | The Shed, New York | Sound Design |
2024 | Internationaal Theater Amsterdam | Sound Design |
2023 | Young Vic | Sound Design |
2023 | Donmar Warehouse | Sound Design |
2023 | Orange Tree Theatre | Sound Design |
2023 | National Theatre (Lyttelton) | Sound Design |
2023 | Chichester Festival Theatre (Minerva) | Sound Design |
2023 | Young Vic | Sound Design |
2023 | Harold Pinter Theatre/Wessex Grove | Sound Design |
2022 | Rose Theatre Kingston | Sound Design |
2022 | The Shed | Sound Design |
2022 | National Theatre (Lyttelton) | Sound Design |
2022 | Chichester Festival Theatre (Minerva) | Sound Design |
2022 | Harold Pinter Theatre/ATG | Sound Design |
2022 | Chichester Festival Theatre/Bridge Theatre | Sound Design |
2022 | Schauspiel Stuttgart | Sound Design |
2022 | Bridge Theatre | Sound Design |
2022 | Yard Theatre | Sound Design |
2021 | Rose Theatre Kingston | Sound Design |
2021 | Royal Exchange Theatre | Sound Design |
2021 | Royal Exchange Theatre | Sound Design |
2021 | Prince of Wales Theatre | Sound Design |
2021 | Sheffield Crucible | Sound Design |
2021 | Schauspiel Stuttgart | Sound Design |
2020 | Gate Theatre | Sound Design |
2019 | Almeida Theatre | Sound Design |
2019 | Chichester Festival Theatre (The Spiegeltent) | Sound Design |
2019 | Bridge Theatre | Sound Design |
2019 | Headlong | Sound Design |
2019 | Chichester Festival Theatre (Minerva) | Sound Design |
2019 | Donmar Warehouse/Gielgud Theatre | Composition and Sound Design |
2019 | Royal Shakespeare Company (Swan Theatre) | Sound Design |
2019 | Almeida Theatre | Sound Design |
2019 | Headlong | Sound Design and Composition |
2019 | Harold Pinter Theatre/ATG | Sound Design |
2018 | Trafalgar Studios/National Theatre (Dorfman) | Sound Design |
2018 | Bridge Theatre | Sound Design |
2018 | Harold Pinter Theatre/ATG | Sound Design |
2018 | Young Vic/UK Tour | Sound Design |
2018 | Harold Pinter Theatre/ATG | Sound Design |
2018 | Vaudeville Theatre/Classic Spring | Sound Design |
2018 | National Theatre (Dorfman)/Orange Tree Theatre | Sound Design |
2017 | Sheffield Crucible | Composition and Sound Design |
2018 | Hampstead Theatre Downstairs | Sound Design |
2017 | Liverpool Playhouse | Sound Design |
2017 | Theatre By The Lake | Sound Design |
2017 | Orange Tree Theatre | Sound Design |
2017 | Chichester Festival Theatre | Sound Design |
2017 | Shakespeare's Globe | Sound Design |
2017 | Sheffield Crucible Studio | Composition and Sound Design |
2017 | Bush Theatre | Composition and Sound Design |
2017 | Shoreditch Town Hall | Co-Sound Design with Ben and Max Ringham |
2017 | Shoreditch Town Hall | Co-Sound Design with Ben and Max Ringham |
2017 | Gate Theatre | Sound Design |
2016 - 2017 | Polka Theatre/UK Tour | Sound Design |
2016 | Royal Court/UK Tour | Sound Design |
2016 | Shakespeare's Globe | Sound Design |
2016 | Traverse Theatre/HighTide Festival | Sound Design |
2016 | Royal Court Upstairs/Tour | Sound Design |
2016 | Shakespeare's Globe | Sound Design |
2016 | Nottingham Playhouse/Live Theatre/Nuffield Southampton | Sound Design |
2016 | Orange Tree Theatre/Up In Arms | Sound Design |
2016 | Gate Theatre | Sound Design |
2015 | Bush Theatre | Sound Design |
2015 | The Jamie Lloyd Company/Trafalgar Studios 1 | Sound Design |
2015 | Arcola Theatre/Up In Arms | Sound Design |
2015 | HighTide Festival | Sound Design |
2015 | Royal and Derngate/Touring Consortium | Sound Design |
2015 | Eastern Angles | Sound Design |
2015 | Royal Court Upstairs/Tour | Sound Design |
2015 | Gate Theatre | Sound Design |
2015 | UK Tour (Revival) | Sound Design |
2015 | Gate Theatre | Sound Design |
2015 | Print Room | Sound Design |
2015 | Arcola Theatre/HighTide Festival/59E59, New York | Sound Design |
2015 | Royal Court Upstairs | Sound Design |
2015 | Royal Court Upstairs | Sound Design |
2014 | Bush Theatre | Sound Design |
2014 | Tricycle Theatre | Sound Design |
2014 | Gate Theatre | Sound Design |
2014 | Royal and Derngate/Touring Consortium | Sound Design |
2014 | National Theatre of Wales | Sound Design |
2014 | Polka Theatre/Clwyd Theatr Cymru | Sound Design |
2014 | Headlong Theatre/UK Tour | Sound Design |
2013 | Young Vic | Sound Design |
2013 | Sheffield Crucible Studio | Composition and Sound Design |
2013 | Southwark Playhouse | Sound Design |
2013 | Print Room | Sound Design |
2013 | Park Theatre | Composition and Sound Design |
2013 | Gate Theatre | Sound Design |
2013 | HighTide Festival/Bush Theatre | Sound Design |
2013 | Arts Theatre/UK Tour | Sound Design |
2013 | Jermyn Street Theatre | Sound Design |
2013 | Hampstead Theatre Downstairs | Composition and Sound Design |
2013 | Unicorn Theatre | Composition and Sound Design |
2012 | Southwark Playhouse | Sound Design |
A LIFE 2012 | Finborough Theatre | Composition and Sound Design |
GOOD GRIEF 2012 | Theatre Royal Bath/UK Tour | Sound Design |
THE ONLY TRUE HISTORY OF LIZZIE FINN 2012 | Southwark Playhouse | Composition and Sound Design |
THE DRAWER BOY 2012 | Finborough Theatre | Composition and Sound Design |
SOMEONE WHO'LL WATCH OVER ME 2012 | Southwark Playhouse | Composition and Sound Design |
THE SEVEN YEAR ITCH 2012 | Salisbury Playhouse | Sound Design |
FOXFINDER 2011 | Finborough Theatre | Composition and Sound Design |
WHEN DID YOU LAST SEE MY MOTHER? 2011 | Trafalgar Studios 2 | Sound Design |
ANTIGONE 2011 | Southwark Playhouse | Sound Design |