Client details
Gregory Clarke
Sound Designer
Agent
| Giles Smart |
About
Gregory received the New York Drama Desk Award for Outstanding Sound Design for JOURNEY'S END (2007) and he won the Tony Award for his Sound Design in EQUUS (2009). He has been nominated for a New York Drama Desk Award for Outstanding Sound Design for his work on MISTERMAN. |
Theatre
| Production | Company | Notes |
|---|---|---|
| ALL'S WELL THAT ENDS WELL (2013) | RSC / Royal Shakespeare Theatre | Directed by Nancy Meckler |
| THE NIGHT ALIVE (2013) | Donmar Warehouse | Written and directed by Conor McPherson |
| THE BIRTHDAY PARTY (2013) | Manchester Royal Exchange | By Harold Pinter Directed by Blanche McIntyre |
| TRAVELS WITH MY AUNT (2013) | Menier Chocolate Factory | Directed by Christopher Luscombe Adapted by Giles Havergal Based on the novel by Grahame Greene |
| THE SEAGULL (2013) | Headlong Theatre / UK Tour | By Anton Chekhov New version by John Donnelly Directed by Blanche McIntyre |
| PROOF (2013) | Menier Chocolate Factory | By David Auburn Directed by Polly Findlay |
| THE AMERICAN PLAN (2013) | Theatre Royal Bath - Ustinov Studio | By Richard Greenberg |
| MY PERFECT MIND (2013) | Told By An Idiot / Young Vic / Drum Theatre (Plymouth) | Directed by Kathryn Hunter |
| IN THE BEGINNING WAS THE END (2013) | dreamthinkspeak / Somerset House | |
| THE SILENCE OF THE SEA (2013) | Donmar Warehouse at the Trafalgar Studios | Directed by Simon Evans |
| THE WIND IN THE WILLOWS (2012) | Birmingham Rep | Adapted for the stage by Alan Bennett from the novel by Kenneth Grahame Additional music and lyrics by Jeremy Sams |
| GOODNIGHT MR TOM (2012) | Fiery Angel / Phoenix Theatre (West End) & Tour | Directed by Angus Jackson |
| LOT AND HIS GOD (2012) | The Print Room | UK Premiere By Howard Barker Directed by Robyn Winfield-Smith |
| BLUE / ORANGE (2012) | Ambassador Theatre Group / UK Tour | Directed by Christopher Luscombe |
| THE DOCTOR'S DILEMMA (2012) | National Theatre - Lyttelton Theatre | By George Bernard Shaw Directed by Nadia Fall |
| DANDY DICK (2012) | Ambassador Theatre Group | By Arthur Wing Pinero Directed by Christopher Luscombe |
| MISTERMAN (2012) | Landmark Productions (Dublin) / St Ann's Warehouse, Brooklyn, New York / NT Lyttelton | Directed by Enda Walsh NT Lyttelton - 2012 Dublin and New York - 2011 * Nominated for 2012 New York Drama Desk Award for Outstanding Sound Design |
| UNCLE VANYA (2012) | The Print Room | Directed by Lucy Bailey |
| COPENHAGEN (2012) | Sheffield Theatres - Lyceum Theatre | Directed by David Grindley |
| REPENTANCE; BEHIND THE LINES (2012) | ANGLE Theatre / Bush Theatre | Directed by Blanche McIntyre |
| DRUIDMURPHY (2012) | Druid Performing Arts Ltd | Plays by Tom Murphy: CONVERSATION ON A HOMECOMING; A WHISTLE IN THE DARK; FAMINE Directed by Garry Hynes Venues include: Hampstead Theatre; Lincoln Center (New York); Galway Arts Festival; Oxford Playhouse; Everyman Palace Theatre (Cork); Galway (various venues); Gaiety Theatre (Dublin); Kennedy Center (Washington DC) |
| THE HEART OF ROBIN HOOD (2011) | RSC / Royal Shakespeare Theatre | Directed by Gísli Örn Garðarsson |
| FIT AND PROPER PEOPLE (2011) | Soho Theatre | Directed by Steve Marmion |
| EARTHQUAKES IN LONDON (UK TOUR) (2011) | Headlong Theatre | Directed by Rupert Goold |
| TESTAMENT (2011) | Landmark Productions (Dublin) | Directed by Garry Hynes |
| A MIDSUMMER NIGHT'S DREAM (2011) | RSC / Royal Shakespeare Theatre | Directed by Nancy Meckler |
| HUNDREDS AND THOUSANDS (2011) | Buckle For Dust (in association with English Touring Theatre) / Soho Theatre | Directed by Lisa Spriling |
| HENRY IV (PARTS I & II) / THIS HAPPY BREED (2011) | Theatre Royal Bath Productions Ltd | Directed by Peter Hall / Stephen Unwin respectively |
| THE MERCHANT OF VENICE (2011) | RSC / Royal Shakespeare Theatre | Directed by Rupert Goold |
| JOURNEY'S END (2011) | UK Tour / Lee Menzies Ltd. | |
| JEFFREY BERNARD IS UNWELL (2011) | Theatre Royal Bath Productions Ltd | Directed by David Grindley |
| GOODNIGHT MISTER TOM (2011) | Children's Touring Partnership / Chichester Festival Theatre / UK Tour | Directed by Angus Jackson |
| AMPHIBIANS (2011) | Offstage Theatre / Bridewell Theatre | Directed by Cressida Brown |
| A FLEA IN HER EAR (2010) | Old Vic Theatre | Directed by Richard Eyre |
| MY DAD'S A BIRDMAN (2010) | Mark Rubinstein Ltd. / Young Vic - Maria Studio | Directed by Oliver Mears |
| BLITHE SPIRIT (2010) | Theatre Royal Bath Productions Ltd / TR Bath / UK Tour / Apollo Theatre | Directed by Thea Sharrock |
| THE RIVALS (2010) | Theatre Royal Bath Productions Ltd | |
| A MONTH IN THE COUNTRY (2010) | Chichester Festival Theatre | |
| EARTHQUAKES IN LONDON (2010) | National Theatre - Cottesloe Theatre | Directed by Rupert Goold |
| TWELFTH NIGHT (2011) | National Theatre - Cottesloe Theatre | Directed by Peter Hall |
| PENELOPE (2010 / 2011) | Druid Performing Arts Ltd / Hampstead Theatre | Directed by Enda Walsh |
| HEDDA GABLER (2010) | Theatre Royal Bath Productions | Directed by Adrian Noble |
| A MIDSUMMER NIGHT'S DREAM (2010) | Rose Theatre, Kingston | Directed by Peter Hall |
| SIX DEGREES OF SEPARATION (2010) | Old Vic | Directed by David Grindley |
| TREASURE ISLAND (2009) | Rose Theatre, Kingston | Directed by Stephen Unwin |
| BEDROOM FARCE (2009) | Rose Theatre, Kingston / Duke of York's Theatre, West End (Bill Kenwright Ltd) | Directed by Peter Hall |
| MISS JULIE (2009) | Rose Theatre, Kingston | Directed by Stephen Unwin |
| UNCLE VANYA (2009) | Young Vic | Directed by Joe Hill Gibbons; Young People's Participation Programme |
| RAIN MAN (2009) | UK Tour | Directed by Robin Herford |
| BALMORAL (2009) | Theatre Royal Bath Productions | Directed by Peter Hall |
| SIR PETER HALL SEASON (HOME / THE APPLE CART / THE BROWNING VERSION / SWANSONG) (2009) | Theatre Royal Bath Productions | Directed by Peter Hall, Stephen Unwin |
| PETER PAN (2009) | Kensington Gardens / 02 Arena / San Francisco | Directed by Ben Harrison |
| THE WINSLOW BOY (2009) | Rose Theatre, Kingston / UK Tour | Directed by Stephen Unwin |
| THE PHILANTHROPIST (2009) | American Airlines Theatre, New York | Directed by David Grindley |
| BAY (2009) | Young Vic | Directed by Sarah Tipple |
| THE NEW ELECTRIC BALLROOM (2009) | Riverside Studios | Directed by Enda Walsh |
| FOR KING AND COUNTRY (2009) | Theatre Royal, Plymouth / UK Tour | Directed by Tristram Powell |
| WHERE THERE'S A WILL (2009) | Rose Theatre, Kingston | Directed by Peter Hall |
| LOOT (2008) | Tricycle Theatre | Directed by Sean Holmes |
| LOOT (2009) | Theatre Royal, Newcastle | Directed by Sean Holmes |
| THE LITTLE PRINCE (2008) | Hampstead Theatre | Directed by Anthony Clark |
| LOVE'S LABOUR'S LOST (2008) | Rose Theatre, Kingston | Directed by Peter Hall |
| LUCKY SEVEN (2008) | Hampstead Theatre | Directed by Anthony Clark |
| EQUUS (2008) | David Pugh Ltd / Broadhurst Theatre | Directed by Thea Sharrock * Winner of 2009 Tony Award for Best Sound Design |
| THE ELECTRIC BALLROOM (2008) | Druid Theatre, Galway | Directed by Enda Walsh |
| CROWN MATRIMONIAL (2008) | Act Productions / UK Tour | Directed by David Grindley |
| THE ENGLISH GAME (2008) | Headlong | Directed by Sean Holmes |
| BLACKBIRD (2008) | MJE Productions | Directed by David Grindley |
| TROILUS AND CRESSIDA (2008) | Cheek By Jowl | Directed by Declan Donnelan |
| THE VORTEX (2008) | Bill Kenwright Ltd / UK Tour / Apollo Theatre | Directed by Peter Hall |
| RING ROUND THE MOON (2008) | Act Productions / Playhouse Theatre | Directed by Sean Mathias |
| IN THE CLUB (2008) | Rho Delta | Directed by David Grindley |
| EQUUS (2008) | Theatre Royal Bath Productions / David Pugh Ltd | Directed by Thea Sharrock |
| UNCLE VANYA (2008) | English Touring Theatre | Directed by Peter Hall |
| LITTLE WOLF (2007) | Hampstead Theatre | Directed by Anthony Clark |
| PETER PAN (2007) | Birmingham Rep | Directed by Rachel Kavanaugh |
| CLOUD NINE (2007) | Almeida Theatre | Directed by Thea Sharrock |
| PYGMALION (2007) | Roundabout Theatre Company, New York | Directed by David Grindley |
| THE EMPEROR JONES (2007) | NT Olivier Theatre | Directed by Thea Sharrock |
| THE BOYFRIEND (2007) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Ian Talbot |
| HOW THE OTHER HALF LOVES (2007) | Theatre Royal Bath Productions | Directed by Alan Strachan |
| VICTORY (2007) | Theatre Royal Bath Productions | Directed by Victoria Monsey |
| IN THE CLUB (2007) | Hampstead Theatre | Directed by David Grindley |
| LADY BE GOOD (2007) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Ian Talbot |
| LITTLE NELL (2007) | Theatre Royal Bath Productions | Directed by Peter Hall |
| PYGMALION (2007) | Theatre Royal Bath Productions | Directed by Peter Hall |
| A MIDSUMMER NIGHT'S DREAM (2007) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Ian Talbot |
| MACBETH (2007) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Edward Kemp |
| OLD TIMES (2007) | Theatre Royal Bath Productions | Directed by Peter Hall |
| EQUUS (2007) | David Pugh Ltd / Gielgud Theatre | Directed by Thea Sharrock |
| THE HOUND OF THE BASKERVILLES (2007) | Ian Fricker Productions | Directed by Robin Herford |
| JOURNEY'S END (2007) | Boyett Ostar Productions / Belasco Theatre, New York | Directed by David Grindley * Winner of 2007 New York Drama Desk Award for Outstanding Sound Design |
| THE GLASS ROOM (2006) | Hampstead Theatre | Directed by Anthony Clark |
| AMY'S VIEW (2006) | Theatre Royal Bath Productions / Garrick Theatre | Directed by Peter Hall |
| THE CHAIRS (2006) | Gate Theatre | Directed by Thea Sharrock |
| WAITING FOR GODOT (2006) | Theatre Royal Bath Productions / New Ambassadors | Directed by Peter Hall |
| EVERYTHING IS ILLUMINATED (2006) | Hampstead Theatre | Directed by Rachel O'Riordan |
| CYMBELINE (2006) | Kneehigh / RSC | Directed by Emma Rice |
| THE BOYFRIEND (2006) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Ian Talbot |
| MEASURE FOR MEASURE (2006) | Theatre Royal Bath Productions | Directed by Peter Hall |
| PARADISE LOST (2004) | Royal Theatre, Northampton | Directed by Rupert Goold |
| MY BOY JACK (2004) | Nick Brooke Ltd | Directed by David Haig |
| WHEN THE NIGHT BEGINS (2004) | Hampstead Theatre | Directed by Anthony Clark |
| A MIDSUMMER NIGHT'S DREAM (2004) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Ian Talbot |
| HENRY IV, PART I (2004) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Alan Strachan |
| SEVEN DOORS (2004) | Chichester Festival Theatre | Directed by Martin Duncan |
| THE DRESSER (2004) | Theatre Royal Bath Productions / Duke of York's Theatre | Directed by Peter Hall |
| WHOSE LIFE IS IT ANYWAY? (2005) | Sonia Friedman Productions Ltd / Comedy Theatre | Directed by Peter Hall |
| INSIGNIFICANCE (2005) | Sheffield Theatres / Lyceum Theatre | Directed by Samuel West |
| NATIONAL ANTHEMS (2005) | Old Vic | Directed by David Grindley |
| THE HOME PLACE (2005) | Sonia Friedman Productions Ltd / Comedy Theatre | Directed by Adrian Noble |
| TRISTAN AND YSEULT (2005) | NT Cottesloe Theatre | Directed by Emma Rice |
| SOME GIRLS (2005) | Out Of The Blue / Gielgud Theatre | Directed by David Grindley |
| CYMBELINE (2005) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Rachel Kavanaugh |
| TWELFTH NIGHT (2005) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Timothy Sheader |
| MUCH ADO ABOUT NOTHING (2005) | Theatre Royal Bath Productions | Directed by Peter Hall |
| PRIVATE LIVES (2005) | Theatre Royal Bath Productions | Directed by Thea Sharrock |
| HMS PINAFORE (2005) | Theatre Royal Bath Productions | Directed by Ian Talbot |
| WHAT THE BUTLER SAW (2005) | PW Productions / Criterion Theatre | Directed by David Grindley |
| YOU NEVER CAN TELL (2005) | Theatre Royal Bath Productions / Garrick Theatre | Directed by Peter Hall |
| THE PHILANTHROPIST (2005) | Donmar Warehouse | Directed by David Grindley |
| AND THEN THERE WERE NONE (2005) | Act Productions / Gielgud Theatre | Directed by Steven Pimlott |
| THE EMPEROR JONES (2005) | Gate Theatre | Directed by Thea Sharrock |
| GREAT EXPECTATIONS (2005) | RSC | Directed by Declan Donnelan |
| HONOUR (2006) | PW Productions / Wyndhams Theatre | Directed by David Grindley |
| NIGHTS AT THE CIRCUS (2006) | Lyric Hammersmith | Directed by Emma Rice |
| THE SCHUMAN PLAY (2006) | Hampstead Theatre | Directed by Anthony Clark |
| THE CHANGELING (2006) | Cheek By Jowl | Directed by Peter Hall |
| HAY FEVER (2006) | Bill Kenwright Ltd / Theatre Royal Haymarket | Directed by Peter Hall |
| CLEVER DICK (2006) | Hampstead Theatre | Crispin Whittell |
| A VOYAGE ROUND MY FATHER (2006) | Donmar Warehouse | Directed by Thea Sharrock |
| MISS JULIE (2006) | Theatre Royal Bath Productions | Directed by Rachel O'Riordan |
| HABEAS CORPUS (2006) | Theatre Royal Bath Productions | Directed by Peter Hall |
| PRESENT LAUGHTER (2003) | Theatre Royal Bath Productions | Directed by Dominic Dromgoole |
| OFFICE SUITE (2003) | Theatre Royal Bath Productions | Directed by Lawrence Boswell |
| MUM'S THE WORD (2003) | Clearchannel / Albery Theatre | Directed by Wayne Harrison |
| NATHAN THE WISE (2003) | Chichester Festival Theatre | Directed by Steven Pimlott |
| FIGHT FOR BARBARA (2003) | Theatre Royal Bath Productions | Directed by Thea Sharrock |
| DESIGN FOR LIVING (2003) | Theatre Royal Bath Productions | Directed by Peter Hall |
| TWO GENTLEMEN OF VERONA (2003) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Rachel Kavanaugh |
| THE MATHS TUTOR (2003) | Hampstead Theatre | Directed by Anthony Clark |
| AS YOU LIKE IT (2003) | Theatre Royal Bath Productions / US Tour | Directed by Peter Hall |
| BETRAYAL (2003) | Theatre Royal Bath Productions / Duchess Theatre | Directed by Peter Hall |
| I CAUGHT MY DEATH IN VENICE (2003) | Chichester Festival Theatre | Directed by Martin Duncan |
| REVELATIONS (2003) | Hampstead Theatre | Directed by Anthony Clark |
Other
| Production | Company | Notes |
|---|---|---|
| JOURNEY'S END (2003) | Background / Comedy Theatre | Directed by David Grindley |
| CORIOLANUS (2002) | RSC / International Tour | Directed by David Farr |
| THE MERRY WIVES OF WINDSOR (2002) | RSC / International Tour | Directed by Rachel Kavanuagh |
| ABIGAIL'S PARTY (2002) | Hampstead Theatre / West End | Directed by David Grindley |
| KRINDLEKRAX (2002) | Birmingham Rep | Directed by Anthony Clark |
| LADY WINDERMERE'S FAN (2002) | Stanhope Productions / Theatre Royal Haymarket | Directed by Peter Hall |
| THE DEAD EYE BOY (2002) | Hampstead Theatre | Directed by Jennie Darnell |
| BAIJU BAWRA (2002) | Theatre Royal Stratford East | Directed by Ultz |
| NO MAN'S LAND (2001) | NT Lyttelton Theatre | Directed by Harold Pinter |
| BURIED ALIVE (2001) | Hampstead Theatre | Directed by Mike Alfreds |
| TENDER (2001) | Hampstead Theatre / Birmingham Rep | Directed by Anthony Clark |
| LOVE'S LABOUR'S LOST (2001) | New Shakespeare Company, Regent's Park Open Air Theatre | Directed by Rachel Kavanugh |
| SONG OF SINGAPORE (2001) | Chichester Festival Theatre | Directed by Roger Redfarn |
| THE ROYAL FAMILY (2001) | Stanhope Productions / Theatre Royal Haymarket | Directed by Peter Hall |
| THE DEAD EYE BOY (2001) | Hampstead Theatre | Directed by Jennie Darnell |
| TANTALUS (2001) | RSC | Directed by Peter Hall |
Further Information
REVIEWS
MISTERMAN
The production is aided greatly by some thrillingly kaleidoscopic sound design from Gregory Clarke, who echoing noises fill the space with a ringing sense of foreboding.
Evening Standard ****
