Jeremy Herbert

Jeremy is an award-winning multi-media artist and stage designer.

Theatre includes: Tysnaden (Goteborgs Stadsteater); Snowflake (Arts at the Old Fire Station, Oxford); Hamlet, The Glass Menagerie, Blackta, and the experimental installation Safe House (in collaboration with Gabriella Sonabend), Blue Orange and Why It’s Kicking Off Everywhere (with journalist Paul Mason) (Young Vic); Stories (National Theatre); Cleansed, 4.48 Psychosis (winner of the Barclays Award for Best Design), The Alice Trilogy, The Lights, Thyestes, The Ugly One (Royal Court); Harper Regan (Hamburg Schauspielhaus, Salzberg Festival); The Triumph of Love, Parlour Song (Almeida); The Tempest, Robert Zucco, Beauty and the Beast (Royal Shakespeare Company); Betrayal, Sexual Perversity in Chicago and This is Our Youth (West End).

Recent operas include The Wind (Royal Ballet); La Bianca Notte, Death in Venice (Hamburg Opera) and Rodelinda (ENO/Bolshoi Theatre).

Jeremy’s installations have included a full-sized walking house on Salisbury Plain created for

Artangel, and an immersive performance for the Ruhr Triennale. His most recent art installations have been Underbelly at Frieze. He created the stage set for PJ Harvey’s Hope 6 Demolition Project world tour.